History

includes Mozart’s Quartet for Flute and Strings, K. 285, with Eleanor Robinson, flute; Ravel’s Chansons Madecasses with soprano Donna Miller; and Brahms’ Piano Quartet in G minor with Mary Boyd, piano; Judy Clare, violin; Marilyn Smith, viola; and Lindsay Groves, cello. Brian Israel, pianist, performs Harris Lindenfeld’s “From the Grotte des Cambarelles” and Beethoven’s Archduke Trio with Steven Stalker, cello, and Janet Brady, violin. The first concert at Brook Farm is Aug. 23. It includes Mozart’s Quintet in C minor, K. 516, and Brahms’ String Sextet No. 2 in G Major and Edwin Gindon conducts Bach’s Cantata No. 82, “Ich habe genung,” with David Robinson, baritone.

He performs with his son Stefan Hersh on violin in Brahms’ Sonata No. 1 in G Minor and plays piano in Bach’s Brandenburg Concerto No. 5 at Brook Farm. Frank Weinstock is the pianist in Schubert’s Trout Quintet for piano and strings: Michael Levin, violin; Marilyn Smith, viola; Lindsay Groves, cello; and Edward Castilano, bass.

Hersh in Beethoven’s Sonata in C Minor, Op. 111, and violinist Joseph Genualdi makes his debut Sept. 2 in Schubert’s Octet, Op. 166 and performs Vivaldi’s The Four Seasons with orchestra. This is also the first year of New York State Council on the Arts support.

Guitarist Eliot Fisk makes his Festival debut Aug. 18 in Bach’s Sonata in G Minor, originally for violin, and performs Paganini’s Cantabile for Violin and Guitar with Mark Kaplan. Mark Kaplan is the soloist in Haydn’s Concerto in C Major for Violin. Larry Combs is featured in Mozart’s Quintet in A Major for Clarinet and Strings, K. 581. Gail Williams, horn, appears in Schubert’s “Auf dem Strom” and Brahms’ Trio for Horn, Violin and Piano. Brian Israel’s Trio for Flute, Cello and Harpsichord has its world premiere performed by Eleanor Robinson, Lindsay Groves and Claire Howard. In the final concert, James Caraher conducts Barber’s “Knoxville: Summer of 1915” with soprano Julie Newell and Mozart’s Sinfonia Concertante for Violin and Viola with Joseph Genualdi and Paul Hersh. This is the first year of recorded broadcasts on WCNY-FM.

The Syracuse Vocal Ensemble, conducted by G. Burton Harbison, performs Haydn’s Lord Nelson Mass. Guitarist Eliot Fisk performs eight pieces in three nights. Jonathan McPhee conducts the final concert with Larry Combs in the Mozart Clarinet Concerto in A Major, Steven Doane in the Haydn Cello Concerto in C Major, Joseph Genualdi in Viotti’s Concerto in A Minor and soprano Julie Newell in Mozart’s “Exsultate, Jubilate!”

Andres Cardenes plays in Brahms’ Sextet for Strings, Beethoven’s The Ghost Trio, Op. 70, and solos in Bach’s Violin Concerto No. 2. Pianist Jeffrey Kahane debuts in Mozart’s Piano Trio, K. 548. David Zinman makes his first conducting appearance, in the final concert, with Steven Doane in Haydn’s Cello Concerto No. 2, Joseph Genualdi in Mendelssohn’s Violin Concerto and soprano Julie Newell in Handel’s “Care Selve” and “Let the Bright Seraphim.”

Howard Boatwright plays the violin in his Serenade for Two Winds and Two Strings with Larry Combs, Gail Williams and Lindsay Groves. Andres Cardenes plays Paganini’s Caprices for Violin No. 1 and appears in Beethoven’s Septet in E-flat Major, in Prokofiev’s Sonata for Violin and Piano No. 2 in D Major and in Shostakovich’s Quintet for Piano and Strings in G Minor, the latter two with Barbara Lister-Sink on piano. Pianist Robert Weirich makes his Festival debut Aug. 29, substituting for Paul Hersh in Saint-Saens’ Caprice on Danish and Russian Airs, joining Eleanor Robinson, flute; Larry Combs, clarinet; and Laura Ahlbeck, oboe. David Zinman conducts the final concert with soprano Julie Newell in Berlioz’ “Les Nuits d’ete.” The Festival Educational Outreach Program begins, and WCNY-FM will air fall broadcasts of concerts.

Joseph Genualdi and Paul Hersh perform Grieg’s Sonata for Violin and Piano No. 3 in C Minor. Violinist Ida Levin appears in Dvorak’s String Sextet in A Major and Mendelssohn’s Octet in E-flat Major and solos in Mozart’s Violin Concerto No. 5, Yakov Kreizberg conducting. Tenor Marcus Haddock and Robert Weirich, piano, perform Turina’s “poema en forma de canciones.” Richard Sherman, flute, and Barbara Lister-Sink, piano, play the world premiere of Andrew Waggoner’s “Claene.” Jonathan McPhee conducts the orchestra in his “Music for a Summer’s Day.” This is the first year of support for artists’ fees from the National Endowment for the Arts.

Robert Weirich gives his first lecture-recital, on Elliott Carter’s Piano Sonata. Cellist Yuli Turovsky plays in Schubert’s Quintet for Strings D. 956 and Tchaikovsky’s sextet “Souvenir of Florence,” solos in Boccherini’s Concerto for Cello and Strings and conducts Mozart’s Symphony No. 40. Robert Weirich plays the Mozart Piano Concerto No. 22 in the final concert, David Zinman conducting.

Kurt Nikkanen plays the Mozart Violin Concerto No. 3, Jonathan McPhee conducting. Pianist Ian Hobson plays in the Mendelssohn Piano Quartet in B Minor and in Beethoven’s Archduke Trio and conducts a concert of two pieces by Delius and Dvorak. Eric Ruske, horn, performs in Schubert’s “Auf dem Strom,” Harbison’s Twilight Music for Horn, Violin and Piano, and is the soloist in Dukas’ Villanelle for Horn and Orchestra, Emily Freeman Brown conducting. Andres Cardenes and Deborah Hoffman perform the world premiere of Ricardo Lopez’ “Jaromiluna for Violin and Harp,” commissioned by Cardenes. In the final concert, Andres Cardenes solos in the Barber Violin Concerto, David Zinman conducting.

Joseph Genualdi is the violin soloist in Vivaldi’s The Four Seasons. The Peabody Trio performs Dvorak’s Piano Trio in F Minor. Aug. 16 is the American premiere of Joseph Thalken’s “Introduction and Jazz Waltz” for violin, soprano, saxophone and piano, Thalken on the piano. Paul Hersh, piano; Andres Cardenes, violin; and Anne Williams, cello, play Brahms’ Piano Trio in C Minor. In the final concert, Kenneth Kiesler conducts Beethoven’s Triple Concerto with Andres Cardenes, violin; Anne Williams, cello; and Robert Weirich, piano.

Yizhak Schotten, viola, and Katherine Collier, piano, make their debut with Deborah Chodacki in Bruch’s “Eight Pieces for Clarinet, Piano and Viola.” Curtis Curtis-Smith, piano, and Reneta Knific, violin, perform his “Fantasy Pieces for Violin and Piano.” Commemorating the 200th anniversary of Mozart’s death, four chamber pieces are performed, along with the oboe concerto with Thomas Gallant, the clarinet concerto with Larry Combs, and the Symphonies No. 35 and 39. In the final concert, Peter Bay makes his conducting debut, leading Beethoven’s Symphony No. 8.

On Aug. 20, violinist Hilary Hahn, age 12, and pianist Awadagin Pratt make their debuts. She plays Tartini’s Sonata in G Minor, “The Devil’s Trill,” with Robert Weirich, piano, and he plays in Schumann’s Piano Quintet, with Hahn and Joseph Genualdi on violin. Hilary Hahn solos in Bach’s Concerto No. 2 in E Major with Joseph Genualdi, violin, and Awadagin Pratt, harpsichord, as leaders of the orchestra. Paul Hersh, viola, and Robert Weirich, piano, perform Brahms’ Sonata in E-flat. In the final concert, David Zinman conducts and Andres Cardenes is the soloist in Mendelssohn’s Violin Concerto.

In his 13th appearance in 14 years, Paul Hersh plays piano in Dvorak’s Piano Quartet in E-flat and Mozart’s Piano Trio in E-flat, K. 498, and viola in Tchaikovsky’s “Souvenir de Florence.” Chester Biscardi’s Tango for clarinet, horn, violin, cello, piano and percussion receives its first performance. Hilary Hahn plays a Schubert Sonata with pianist Dana Burnett; Mozart’s Clarinet Quintet in A Major, Deborah Chodacki, clarinet; and Spohr’s Violin Concerto No. 8, David Zinman conducting.

The Brentano Quartet performs Mozart’s String Quartet in D Major, K. 499, and Beethoven’s String Quartet in C Major, Op. 59, No. 3. Julie Newell is the soprano in Robert Weirich’s composition for the Festival’s 15th Anniversary season, “Tea at the Cuddeback Place,” text by Peggy Manring. In the final concert, Hilary Hahn is the soloist in Saint-Saens’ Havanaise, Op. 83 and Introduction and Rondo Capriccioso, Op. 28, Robert Weirich conducting.

Peter Bay conducts an all-Mozart concert with the Symphonies No. 10 and 38 and the Piano Concerto No. 21, Deborah Lee soloist. In the final concert, David Zinman conducts Andres Cardenes and Kathleen Winkler in Bruch’s Concerto in D Minor for two violins, Hilary Hahn in the Beethoven Violin Concerto and Haydn’s Symphony No. 104.

Kapilow discusses Mozart’s “Eine Kleine Nachtmusik” in a “What Makes It Great?” program. Curtis Curtis-Smith appears in Meet the Music, and Robert Weirich, piano; Renata Knific, violin; and Pamela Frame, cello, perform his Piano Trio No. 2. Janet Brown, soprano, and Robert Weirich, piano, give the first performance of Wes York’s “Songs from the Lakota.” Ellen Koskoff directs the Gamelan Angklung. The final concert is all Beethoven, Robert Weirich conducting: the Coriolan Overture, the Piano Concerto No. 4 with Awadagin Pratt soloist and the Symphony No. 7.

Paul Hersh talks on Schubert the pianist in Meet the Music. The Chicago String Quartet performs quartets by Haydn in D Major and Dvorak in C Major and Brahms’ Piano Quintet with Paul Hersh, piano. Tenor Marcus Haddock performs Vaughan Williams’ “On Wenlock Edge” and five arias. The Mozart Quintet for Clarinet and Strings, K. 581 features Larry Combs on clarinet, violinists Andrés Cárdenes and Hilary Hahn, violist Melissa Micciche and cellist Anne Martindale Williams. Robert Weirich, piano, and Rebecca Karpoff, soprano, give the first performance of Weirich’s “Going Home,” based on texts by Peggy Manring. In the final concert, Hilary Hahn solos in the Barber Violin Concerto, Victor Yampalsky conducting.

Pianist Andrew Russo makes his debut with the Arcadian Trio in an evening that includes Mendelssohn’s Trio No. 1. Joseph Thalken conducts his own compositions commissioned by the Festival, two pieces for narrator and chamber orchestra, “Fritz the Magic Fiddler” and “The Magic Bonbons.” Two compositions by Robert Weirich are performed, Melissa Micciche, viola, in “The Visitant” and Weirich, piano, and William Ver Meulen, horn, in “Steamboat Stomp.” Hilary Hahn’s performances include the Bach Partita No. 1; Milstein’s Paganinium for solo violin; Mozart’s Violin Concerto No. 5, Peter Bay conducting; Mozart’s “Eine Kleine Nachtmusik;” Beethoven’s Kreutzer Sonata No. 9 with Robert Weirich, piano; and Dvorak’s String Quintet in E flat.

The Miro String Quartet plays string quartets by Haydn, in D Major, Op. 76, and Bartok, No. 3. Awadagin Pratt solos in Mozart’s Piano Concerto No. 23 and conducts Beethoven’s Symphony No. 3. Violinist Hilary Hahn plays in Beethoven’s Piano Trio in C Minor, Op. 1 with David Northington, piano, and Lindsay Groves, cello; in Brahms’ String Sextet in G Major; and in Brahms’ Violin Sonata No. 2 with Robert Weirich, piano. In the final concert, Jeffrey Kahane conducts Hilary Hahn in Edgar Meyer’s Violin Concerto, commissioned by Sony for Hahn, with Meyer in attendance. It is the piece’s second performance; Hahn records it later in the fall.

In her first night of chamber music, she performs in Haydn’s Trio in E Major, Harbison’s Variation for Clarinet, Violin and Piano, and Strauss’ Piano Quartet. Violinist Ilya Kaler performs four pieces in one evening, Dvorak’s Five Bagatelles; Martinu’s Three Madrigals; Janacek’s Sonata, with Diane Walsh; and in Smetana’s Piano Trio in A Minor. Yehudi Wyner’s Quartet for Oboe and String Trio receives a premiere performance, Peggy Pearson on oboe. Violinist Hilary Hahn and pianist Garrick Ohlsson present a recital of sonatas by Brahms, Bach and Haydn. Baritone Sanford Sylvan performs songs by Brahms with Diane Walsh on piano and in the final concert three arias by Mozart, Peter Bay conducting. Diane Walsh performs with Broadway’s Comic Genius, Bill Irwin.

Eugene Drucker, violinist, performs in Mozart’s Piano Trio in E Major, K. 542, Faure’s Sonata No. 1 and Brahms’ Piano Quartet No. 2, all with Diane Walsh on piano. Pianists Andrew Russo and Diane Walsh present Crumb’s “Celestial Mechanics” and Schubert’s Allegro, “Lebenssturme.” Ilya Kaler is the soloist in Paganini’s Violin Concerto No. 2, David Amado conducting. Baritone Sanford Sylvan and pianist Diane Walsh perform Schumann’s Liederkreis, and Sylvan sings Barber’s “Dover Beach” with a string quartet of violinists Todd Phillips and Catherine Cho, violist Maria Lambros and cellist Marcy Rosen. Hilary Hahn and Peggy Pearson are the soloists in Bach’s Concerto in C Minor for violin and oboe. In the final concert, Hilary Hahn is the soloist in Bach’s Violin Concerto in A Minor, and she and David Brickman are soloists in Bach’s Concerto in D Minor for two violins, Peter Bay conducting.

Clarinetist David Krakauer’s program, “Beyond Crossover,” ranges from Brahms to Messiaen to Reich to klezmer. Diane Walsh accompanies baritone Sanford Sylvan in Faure’s “Mirages” and Ravel’s “Don Quichotte a Dulcinee.” Eliot Fisk performs his guitar transcriptions of Bach’s Suite No. 6 for Cello and Paganini’s 24 Caprices for Violin. Marco Parisotto conducts the Festival Orchestra in Mozart’s “Jupiter” Symphony. Robert Weirich joins Hilary Hahn for Bloch’s Sonata No. 1 for Violin and Piano and soprano Janet Brown for six songs of Strauss. Hilary Hahn solos in the final concert in Bach’s Violin Concerto No. 2, Peter Bay conducting.

A Hindemith sonata for viola and piano is dropped from the evening’s program but the audience’s cheers bring Kazi Pitelka and Andrew Russo out to perform it as an encore. An evening of Bach concertos features Andrew Russo in Concerto No. 4 and Concerto No. 5 for clavier. Members of La Fenice play a premiere performance of Fred Lerdahl’s Quartet for Oboe and Strings, with the composer present. Diane Walsh is the piano soloist in Mozart’s Concerto No. 21, Guillermo Figueroa conducting. Diane Walsh and violinist Hilary Hahn play Mozart’s Sonatas K. 301 and K.526. Hilary Hahn performs Paganini’s Violin Concerto No. 1 in the final concert, Peter Bay conducting. A third CD is released, “Chamber Music by the Lake, Volume III,” highlights of the 2002 season.

Guitarist Eliot Fisk performs music by Bach, Barrios, Castelnuovo-Tedesco and Paganini. David Brickman violin, Michael Kannen cello, and Jon Nakamatsu piano play Mendelssohn’s Trio No. 1 and Dvorak’s “Dumky” Trio. David Wroe conducts Eliot Fisk in a Castelnuovo-Tedesco concerto and Copland’s “Appalachian Spring.” Members of La Fenice present the world premiere of Three Chorale Preludes for Oboe and String Trio by Peter Child, John Heiss, and John Harbison. Andres Cardenes is the soloist in Vieuxtemps’s Concerto No.5 for Violin with Marco Parisotto conducting. Soovin Kim violin, Yizhak Schotten viola and Michelle Djokic cello perform a Dohnanyi serenade. David Zinman returns to conduct Schubert’s Symphony No. 4 and Diane Walsh is the soloist in Mozart’s Piano Concerto No. 24. Hilary Hahn and Natalie Zhu, pianist, perform an evening of Mozart sonatas. Hilary Hahn performs Prokofiev’s Violin Concerto No. 1 in the final concert, Peter Bay conducting.

Lindsay Groves, cello, and Melissa Matson, viola, join the Ying Quartet for Tchaikovsky’s Souvenir de Florence. Soovin Kim and Tai Murray, violins, Brian Chen and Melissa Matson, violas, and Thomas Wiebe, cello, perform Dvorak’s American Quintet. The Turtle Island String Quartet presents a free community concert and joins the Ying Quartet for an evening of “4 + Four.” The Pacifica Quartet plays Mendelssohn’s String Quartet No. 1 and Janacek’s String Quartet No. 2. Mark Davis Scatterday conducts an evening of wind music, including Mozart’s Gran Partita and Dvorak’s Serenade in D minor. Judy Loman plays the harp in Debussy’s Danses Sacrees et Profanes with Steven Copes and Maria Schleuning, violin, Lesley Robertson, viola, and David Ying, cello. Hilary Hahn and Natalie Zhu perform sonatas for violin and piano by Beethoven and Enescu. Brahms’ Quintet for Piano and Strings in F minor features Copes, Schleuning, Robertson, Ying and Freer. The season concludes with Hilary Hahn as soloist in the Sibelius Violin Concerto and Dvorak’s Czech Suite, Peter Bay conducting.

The Ying and Daedalus quartets play the Mendelssohn Octet. Cellist Alisa Weilerstein is the soloist in Tchaikovsy’s Variations on a Rococo Theme, Hugh Keelan conducting. Organist David Higgs presents an of solo organ music on First Presbyterian Church’s new Casavantes Freres organ. The 2006 Robinson Award winner, oboist Laura Britton of Westhill High School, performs Telemann and Saint-Saens sonatas with pianist Elinor Free and cellist David Ying. Zephyros Winds plays Ligeti’s Six Bagatelles and Beethoven’s Quintet for Piano and Winds with Reiko Aizawa. Quartetto Gelato presents an evening of music for oboe, English horn, accordion, violin, mandolin, cello and tenor. Soprano Lauren Skuce sings Shostakovich’s Seven Romances on Verses by Alexander Blok with Steven Copes, violin, David Ying and Elinor Freer. Copes, Ying, Freer, and Edward Castilano, bass, perform Libby Larsen’s Four on the Floor. Olga Kaler, violin, Masumi Per Rostad, viola, Rosemary Elliott, cello, and Seth Knopp, piano, play the Brahms Piano Quartet in C minor. The final concert includes Bach’s Brandenburg Concerto No. 3, Marina Piccinini as soloist in Mozart’s Flute Concerto and violinist Ilya Kaler in Vivaldi’s Four Seasons.

The New Lost City Ramblers play old-time porch music at Brook Farm. Composer Kevin Puts spends a week in residence, and five of his compositions are performed in three evenings, including Einstein on Mercer Street, with Timothy Jones, baritone, And Legions Will Rise, with Lisa Kim, violin, Jose Franch-Ballester, clarinet, and Ayano Katakoa, marimba, and his Concerto for Oboe and Strings, Peggy Pearson soloist, Hugh Keelan conducting. A prelude concert features the winner of the Robinson Award, clarinetist Nina Elhassan of West Genesee High School, performing with David Ying, cello, and Elinor Freer, piano. Roger Tapping, viola, and Gilbert Kalish, piano, play the Brahms Sonata in F minor and each sits in with the Jupiter Quartet, who also perform quartets by Haydn and Mendelssohn. 12-year-old pianist Conrad Tao plays the Mozart Concerto No. 21, Hugh Keelan conducting. A week devoted to food in music includes Satie’s Three Pieces of the Shape of a Pear, with Elinor Freer and John Novacek on piano, Paul Schoenfield’s Café Music, with Mark Fewer, violin, David Ying, cello, and John Novacek, piano. Bruce Adolphe’s The Bitter Salt Suite for Violin and Narrator features Mark Fewer and Robert Moss. Schubert’s Trout Quintet features Curtis Macomber, violin, Melissa Matson, viola, Steven Doane, cello, James Vandermark, bass, and John Novacek, piano. Soloists in the season finale are Steve Doane in the Boccherini Cello Concerto in G major and Jon Manasse in the Mozart Clarinet Concerto in A major, Peter Bay conducting.

Martinu’s Sextet for Flute, Oboe, Clarinet, two Bassoons, and Piano features Valerie Coleman, flute, Toyin Spellman-Diaz, oboe, Mariam Adam, clarinet, Monica Ellis and Gregory Quick, bassoons, and Joel Fan, piano. The Turtle Island Quartet presents A Love Supreme: The Music of John Coltrane at Brook Farm. Mezzo-soprano Elizabeth Sutphen, of Manlius Pebble Hill School, the 2008 Robinson Award winner, performs a prelude concert with Sar-Shalom Strong, piano, and David Ying, cello. The Miro Quartet plays Schubert’s Death and the Maiden quartet, Beethoven’s String Quartet No. 16 in F major, and Schoenberg’s Transfigured Night, with Marka Gustavsson, viola, David Ying, cello, and Joanna Manring, reader. Soprano Sari Gruber sings Barber’s Knoxville: Summer of 1915, Robert Moody conducting the Festival Chamber Orchestra. David Higgs plays a turn-of-the-century Parisian organ recital. Baritone Randall Scarlata sings Cabaret Songs by Schoenberg with Melvin Chen, piano. Franck’s Piano Quintet in F minor features Ittai Shapira and Tai Murray, violins, Phillip Ying, viola, Alexis Pia Gerlach, cello, and Melvin Chen, piano. Tai Murray is the soloist in Vaughn Williams’s The Lark Ascending, Hugh Keelan conducting. Harumi Rhodes, violin, David Ying, cello, and Adam Nieman, piano, play Arensky’s Piano Trio No. 1. Rachmaninoff’s Sonata in G minor features Julie Albers on cello and Adam Nieman on piano. Peter Bay conducts the season finale, including Bach’s Brandenburg Concerto No. 5, with Joanna Bassett, flute, Harumi Rhodes, violin, and James E. Bobb, harpsichord, and Mozart’s Sinfonia Concertante with Mark Fewer on violin and Brian Chen on viola.

Performing are Nelson Lee, violin; Jose Franch-Ballester, clarinet; David Ying, cello; Eleanor Freer, piano; and Thom Filicia, narrator. Several musicians who performed in the Festival’s early days return, among them violinists Renata Artman Knific and Mark Kaplan, violist Michelle LaCourse, cellist Steven Doane, Deborah Chodacki on clarinet, and W. Peter Kurau on horn. Knific, Doane and Xak Bjerken, piano, perform Beethoven’s Archduke Trio. Kaplan and Peggy Pearson, oboe, are soloists in the Bach Concerto for Oboe, Violin, and Orchestra. The Parker Quartet makes its Festival debut in Haydn’s String Quartet in G, Op. 76, No. 1; Mendelssohn’s String Quintet No. 2, with Michael Larco on viola; and Niels Gade’s String Quartet in D Major. Pianist Adam Nieman plays two pieces by Bach, one transcribed by Busoni. Robert Moody conducts the Festival Chamber Orchestra in Mendelssohn’s Piano Concerto No. 1, Conrad Tao soloist. The Jupiter String Quartet plays Michael Torke’s “Corner in Manhattan” and Dvorak’s “American” Quartet and its members join pianist John Novacek for two of his rags and Rachmaninoff’s “Elegiaque” Piano Trio. Guitarist Eliot Fisk appears for all four nights of the final week, including a solo recital. In Castelnuovo-Tedesco’s Quintet for Guitar and String Quartet he’s joined by Michi Wiancko and Mauricio Aguiar, violins; Philip Ying, viola; and Mimi Hwang, cello, and in Paganini’s Quartet No. 15 he’s joined by Aguiar on violin, Andres Cardenes on viola, and David Ying on cello. Cardenes conducts the Grand Finale orchestra concert, including Rodrigo’s “Fantasia for a Gentleman,” with Eliot Fisk on guitar, and is the violin soloist in Piazolla’s “Four Seasons in Buenos Aires.”

Trio Solisti also plays its arrangement of Mussorgsky’s “Pictures at an Exhibition.” Tf3 (Time for Three) electrifies a Brook Farm audience of more than 600 with its originals and arrangements for two violins and double bass. Lionheart draws a capacity crowd to St. Mary’s of the Lake Church with a century of vocal music by Morales and Guerrero. New York State Baroque performs music by Buxtehude, Vivaldi, and Bach on period instruments. The Ying Quartet returns with Schnittke’s Piano Quartet, joined by Elinor Freer; Tchaikovsky’s String Quartet No. 1; and Shostakovich’s String Quartet No. 9. 21-year-old conductor Joshua Weilerstein makes his debut with the Festival Chamber Orchestra in Stravinsky’s “Soldier’s Tale” and the Serenade for Strings of Tchaikovsky. Violinist Hilary Hahn returns for her first appearance since 2005, along with pianist Valentina Lisitsa and cellist Robert deMaine, in selections by Kodaly, Mendelssohn, Beethoven, George Antheil, Fritz Kreisler, and Cesar Franck. In the Finale, Hahn is the soloist in the Mozart Violin Concerto No. 5 (“Turkish”), Daniel Hege conducting. It was the 14th season in which Hahn appeared since her debut in 1992. A new CD, “Live from the Skaneateles Festival Volume IV,” is released.

Andrew Russo joins the Chiara Quartet for Dvorak’s Piano Quartet. The Festival Chamber Orchestra, conducted by Robert Moody, plays the world premiere of Lee Actor’s Divertimento for Small Orchestra, commissioned by Jary and Julie Shimmer to celebrate the Robinson family and their commitment to the Skaneateles community. The Syracuse Vocal Ensemble joins the orchestra and Russo for Beethoven’s Fantasia in C minor. Members of the East Coast Chamber Orchestra (ECCO) divide into chamber ensembles and rejoin for a Brook Farm concert including Barkok’s Divertimento for String Orchestra. So Percussion and the Los Angeles Guitar Quartet make their Festival debuts, the latter performing arrangements of Boccherini, Bizet’s “Carmen” Suite, and post-bop classics by John Coltrane and Miles Davis. The Marcus Roberts Trio presents two outreach concerts in Syracuse and an evening of jazz at Brook Farm. An evening of solo piano features Jon Nakamatsu. Peter Bay returns to conduct the Festival Chamber Orchestra and soprano Sari Gruber in two works by Mozart and Villa-Lobos’ “Bachianas Brasileiras” for soprano and eight cellos.

Harumi Rhodes, violin, and Rebecca Albers, viola, join Ying for Dmitri Sitkovetsky’s transcription of the “Goldberg Variations.” “Not Your Mother’s Chamber Music Concert” is presented twice, at the RedHouse in Syracuse and two nights later in Skaneateles, including the Imani Winds performing three Civil War-ear spirituals, with readings by George Kilpatrick, and excerpts from Jason Moran’s “Cane,” followed by the Jasper Quartet with the last two movements of Beethoven’s String Quartet No. 16. The Ying Quartet, with first violin Frank Huang, joins the Jaspers and other local musicians for a Brook Farm concert with Barber’s Adagio for Strings, Copland’s “Appalachian Spring” (with Imani Winds), and Shostakovich’s Chamber Symphony. The third week’s four nights of concerts include an organ recital by Chelsea Chen, a solo piano recital by Peter Serkin, Andrew Appel and the Four Nations Ensemble, and Musica Viva Internationale!, led by Alexander Sevastian on accordion, at Brook Farm. ECCO and Time for 3 return for the final week, each performing at Brook Farm. ECCO’s season finale concert includes the “St. Paul’s Suite” of Holst and Dvorak’s Serenade for Strings.

The Ying Quartet perform Schubert’s “Death and the Maiden” and Verdi’s String Quartet in E minor. Anonymous 4’s voices fill St. Mary’s of the Lake Church with a variety of traditional and modern works, including a new work, “the wood and the vine,” by Pulitzer Prize-winning composer David Lang. Pianist and composer Donal Fox’s solo piano recital, “Innovations in Blue,” blends classical and jazz. Violinist Hilary Hahn, joined by pianist Cory Smythe, performs a chamber concert of Lera Auerbach, Schoenberg, Mozart (Violin Sonata in A) and Schubert (Fantasie in C), a program she would later present in Boston, New York, and Philadelphia. A Brook Farm concert of jazz improvisations on the classics, featuring Fox’s Innovations Trio and Hahn, draws a Festival record-breaking audience of 1,172. The Eastman Chamber Winds, conducted by Mark Davis Scatterday, conclude a week of music inspired by nature. Members of the string orchestra A Far Cry present two chamber concerts – Tuma, Biber, Dvorak’s “American” String Quintet and Schubert’s String Quintet in C – and conclude the season at Brook Farm with Johann Stamitz’s Sinfonia and Josef Suk’s Serenade for Strings.

Freer and Ying’s final Festival performance together is Kreisler’s “Tambourin chinois.” The Shanghai Quartet appears in two chamber concerts and joins the ensemble Music from China, which introduces us to the sounds of the erhu, gaohu, banhu, pipa, yangqin, liuqin, and daruan. Chamber Music America presents its CMAcclaim Award, which recognizes extraordinary cultural contributions in a locality, to the Festival. Alan Kay and Ran Dank perform Yuste’s “Vibrations of the Soul” for clarinet and piano, and the Brahms Piano Quartet in G minor features Erin Keefe on violin, Philip Ying viola, David Ying cello, and Dank piano. ECCO and Time for 3 return for the final week. ECCO’s chamber performance incudes Mendelssohn’s String Quintet No. 1.Tf3 rocks the audience at Brook Farm, and ECCO’s full orchestral performance concludes with Tchaikovsky’s Serenade for Strings.

Oropesa is the soloist in a Night at the Met concert at Brook Farm with Met Opera Orchestra musicians, conducted by Daniel Stewart, in a selection of arias and Mahler’s Symphony No. 4, arranged by Klaus Simon. Bruskin’s trio, the Claremont Trio, performs Dohnanyi’s Sextet for Piano, Strings and Winds – joined by Anthony McGill, clarinet; Stewart Rose, horn; and Beth Guterman, viola. Roomful of Teeth pairs with the NOW Ensemble for their first performance together, including premieres of Festival-commissioned works by Pulitzer Prize-winner Caroline Shaw (“Ritornello 2.4”) and Judd Greenstein (“Nothing New”). Musicians from ECCO perform music for two, three, four, five, and six, finishing with Tchaikovsky’s “Souvenir de Florence.” Clarinetist David Krakauer leads a quartet in new and traditional klezmer music. The Miró Quartet performs Haydn and Beethoven, is joined by Wunsch for Schumann’s Piano Quintet, and performs the Mendelssohn Octet with the Aeolus Quartet. Patrick Zimmerli’s “Aspects of Darkness and Light” has its world premiere, with saxophonist Joshua Redman and string quartet Brooklyn Rider, in the last concert held at Brook Farm.

Aizawa, the Parkers, and Ian Swensen combine for Chausson’s Concerto for Violin, Piano and String Quartet. Conducted by Tito Muñoz, the Skaneateles Festival Orchestra is joined by violinist Sarah Crocker Vonsattel for Dvorak’s Romance in F minor and pianist Llewellyn Sanchez-Werner in the Glass Concerto No. 2. Hilary Hahn returns for a special Summer Suite performance – with pianist Natalie Zhu and cellist Robert deMaine – for trios by Mendelssohn (No. 2) and Tchaikovsky (in A minor). John Moore is baritone soloist in Faure’s “La Bonne Chanson.” Zhu joins Todd Palmer on clarinet and Jennifer Choi on violin for Khachaturian’s Trio. An overflow crowd flocks to the first concert in the Robinson Pavilion, featuring trumpeter Wynton Marsalis and the Jazz at Lincoln Center Orchestra. The Borromeo String Quartet combines with Wunsch and Palmer for Muhly’s “Motion” and with Julia Bruskin, cello, and Melissa Matson, viola, in Brahms’ String Sextet. Ekmeles sings the Pulitzer Prize-winning “The Little Match Girl Passion” by David Lang. The Knights, under conductor Eric Jacobsen, perform the Brandenburg Concerto No. 3, an evening of tango music, and conclude the season at Robinson Pavilion with Vivaldi’s Concerto for Two Cellos (Bruskin and Jacobsen) and Mozart’s Symphony No. 29.

Soprano Katherine Whyte combines with Windsync and the Daedalus in a night of Italian music capped by an arrangement of Musetta’s waltz from Puccini’s “La Boheme.” Conductor David Zinman returns for the first time since 2004 to lead the Skaneateles Festival Orchestra in a night of Mozart at Robinson Pavilion with Misha Dichter the soloist in the Piano Concerto in C Major and Symphony No. 38. Daniel Hege conducts a string orchestra, with organ, and the Antioch Chamber Ensemble in Faure’s Requiem. Elgar’s Sonata for Violin and Piano features Jesse Mills and Aaron Wunsch. Ute Lemper brings a trio to the Robinson Pavilion for cabaret classics. Gabriela Lena Frank’s “Folk Songs,” Beethoven’s “Archduke” Trio and Shostakovich’s Piano Trio are on the Claremont Trio’s playlist, and Bruskin and Aaron Wunsch offer Rachmaninoff’s Song for Cello and Piano and Schnittke’s “Musica nostalgica.” It’s another night of jazz at Robinson Pavilion with piano prodigy Joey Alexander, 14, and his trio. Trumpeter Brandon Ridenour is featured with members of ECCO and Wunsch on piano for Saint-Saens’ Septet in E-flat Major. Hege comes back to end a night of Appalachian music by conducting members of ECCO in Copland’s “Appalachian Spring.”

Murray and Foley join Masumi Per Rostad, viola; Julia Bruskin, cello; and Aaron Wunsch, piano, for Vaughan Williams’ Piano Quintet. The Danish String Quartet introduces the Festival audience to Nordic folk music, and the Robinson Pavilion concerts begin with jazz from the Joshua Redman Quartet. Guitarist Eliot Fisk brings his wife Zaira Meneses (guitar) and daughter Raquel Fisk (piano) for a family concert; he solos in his arrangement of Bach’s Cello Suite in E-flat Major. The Knights perform their fully staged Bernstein’s “Candide” at the Robinson Pavilion a week before its performance at Tanglewood. A night of Schubert includes tenor Nicholas Phan and the Piano Trio in B-flat Major with Bruskin, Anthony Marwood, violin, and Inon Barnatan, piano. At the Robinson Pavilion, Barnatan is the soloist in Beethoven’s Emperor Concerto and Marcelo Lehninger conducts the Skaneateles Festival Orchestra in Beethoven’s Fifth Symphony. Steel drummer Andy Akiho performs his composition “In/Exchange” with the Jupiter String Quartet, who also play two Beethoven string quartets in G, Op. 18, No. 2, and Op. 131. Fiddler Mark O’Connor leads the Mark O’Connor Band, including his wife and son, in the season finale at Robinson Pavilion, an evening of Americana string music.

The Skaneateles Festival Orchestra, conducted by David Zinman, performs Pierre Jalbert’s “Luminous Flux,” his homage to Skaneateles Lake. The Aizuri Quartet offers Caroline Shaw’s “Blueprint” and Brahms’ Piano Quintet in F minor, with pianist Aaron Wunsch. Auerbach plays Mussorgsky’s “Pictures at an Exhibition,” and a piano festival concert includes the four pianists who served as artistic directors: Robert Weirich, Diane Walsh, Elinor Freer and Wunsch. Hahn and vocal artists TENET perform an all Bach concert conducted by Daniel Hege, with Hahn playing violin concertos in E major and A minor. Stefan Jackiw (violin), David Ying (cello) and Conrad Tao (piano) play Brahms’ Trio in C minor, and former artistic directors Ying and Freer are featured in Piazzolla’s “Oblivion” and “Le Grand Tango.” Eight cellists – including Julia Bruskin, Steven Doane, and David Ying – perform Glass’ Symphony for Eight and Villa-Lobos’ “Bachianas Brasileiras” No. 1 (a broken wrist prevents the Festival’s first artistic director, Lindsay Groves, from joining them). The Dorian Wind Quintet’s two nights of performances include Hoiby’s “Diversions,” Carter’s Wind Quintet, and – with Wunsch and soprano Abigail Fischer – Hoiby’s “Bon Appetit!” and Edith Piaf’s “La vie en rose” and “Non je ne regretted rien.” Also appearing are banjo players Bela Fleck and Abigail Washburn and the Jazz at Lincoln Center Orchestra with Wynton Marsalis.

These included a program titled Alone, Together with Ariana Kim, violin; Julia Bruskin, cello, and Aaron Wunsch, piano. Other concerts featured pianists Andrew Russo, Elinor Freer, and Aaron Wunsch joining cellists David Ying and Julia Bruskin for a program of dance suites and a bluegrass concert with Mark & Maggie O’Connor from their home in North Carolina. The Season Finale featured the Ying Quartet and the last movement of Beethoven’s Ninth Symphony with soloists Amanda Majeski, soprano; Jennifer Johnson Cano, mezzo soprano; Nicholas Phan, tenor; and Kenneth Overton, baritone. Each singer and a virtual chorus recorded their part independently, then synchronized into a unique, glorious performance. KidsFest with Time for Three and SkanFest U classes were held online via Zoom.

Outdoor concerts by favorites Time for Three and the Festival debut of Grammy Award winning pianist Bill Charlap and his trio were repeated on Friday and Saturday nights to allow for more attendees to enjoy the music. The Dover Quartet opened the season with Beethoven’s String Quartet in C minor, Dvorak’s String Quartet in G Major and the premier of composer Caroline Shaw’s work The Evergreen as part of the Festival’s Commissioned Works Series. The second chamber music concert was titled The Voice Within and featured Artistic Directors, Julia Bruskin and Aaron Wunsch performing alongside violinist, Emily Bruskin in Florence B. Price’s Fantasy for Violin and Piano in G minor and George Walker’s Cello Sonata. The program also featured 18-year-old rising star Avery Gagliano, recent winner of the United States Chopin Piano Competition performing Chopin’s Piano Concerto No. 1 in E minor, Op. 11 arranged for piano and strings. KidsFest featuring Time for Three was held at the Mandana Barn and SkanFest U classes continued online via Zoom.

“Come Experience Brilliance” with a diverse program ranging from Classical to Jazz to World Music.

2022 started off strong with Beethoven’s string quartet in G Major, performed by the Miro Quartet. Rhiannon Giddens and the Silk Road Ensemble put on a mesmerizing performance of World Music for the first Saturday at Robinson Pavilion, including original pieces from members of the group. Nineteen-year-old pianist Maxim Lando made his Festival debut week two and ended the week with the Skaneateles Festival Orchestra for Shostakovich’s Concerto No. 1 for Piano, Trumpet and Strings. The Knights took over the third week with three performances and were joined by Grammy-winning violinist Gil Shaham to close out the week with Beethoven’s Violin Concerto, Op.61. Soprano Karen Slack joined the Catalyst Quartet week four for the world premiere of Kids Who Die by Scott Gendel (version for soprano and string quartet). Ending on a high note, 8-time Grammy winner Christian McBride and his quintet Inside-Straight closed out the 2022 season back at the Robinson Pavilion.

Skaneateles Festival Matinee with a program ranging from Bach’s Cello Suite No.1 in G Major to a selection of Latin American pieces for guitar. Bela Fleck, Joshua Redman and ECCO also returned to Skaneateles. While newcomers like Kearstin Piper Brown and Broadway star Kelli O’Hara became instant Festival favorites.

Saxophonist and composer Steven Banks was the Festival’s first official Emerging Artist in Residence. Banks took part in the Festival’s outreach program which is an extension of the Widen the Circle Initiative. This initiative was adopted by the Skaneateles Festival board in 2022, it aims to increase diversity and make the Festival more accessible to everyone. Banks performed five free outreach performances across Syracuse and Auburn, New York. Banks joined the Parker Quartet week four to perform his original work Cries Sighs and Dreams. Making its world premiere, the Skaneateles Festival commissioned piece “Fortitude” inspired by the life and legacy of Harriet Tubman, was performed by soprano Kearstin Piper Brown to a full house that included descendants of Harriet Tubman in the audience.

Festival’s history, aligning with the year’s theme: “Home. Heart. Harmony.”, which celebrated music and community. Returning Festival favorites included jazz legend Wynton Marsalis, Grammy Award winner Rhiannon Giddens, and acclaimed groups such as The Westerlies, The Claremont Trio, and The Dover Quartet. Appearing at the Festival for the first time were award-winning mandolinist Chris Thile and violinist James Ehnes. This season’s outreach initiative, “Searching for Home”, invited performers, composers, and audiences to reflect on the nature of home and consider what it means to those who must search out a new one. It highlighted performers, composers, and musical traditions from among those who have resettled in Central New York: Syrians, Somalians, Afghans, and Ukrainians. This included a series of free performances open to the public between Syracuse and Auburn.

This theme of “home” was further expressed through our Commissioned Work Series. This season, we were fortunate to have three commissioned works from two composers. Syrian clarinetist Kinan Azmeh brought us Gravitas, and Afghan pianist and conductor Arson Fahim premiered Memories from a Place I’ve Never Been and an arrangement of the traditional Afghan song En Gham Be Haya.

tunes by Neil Gow, and a selection of traditional Gaelic songs. Opening weekend continued with the return of Béla Fleck and his BEATrio for a performance exploring the intersections of bluegrass and Latin American styles.

The 2025 Emerging Artists in Residence were the guitar duo and brothers Ziggy and Miles, who played a series of outreach concerts along with a performance at the church. Esperanza Spalding made her Festival debut with a night of jazz at Anyela’s Vineyard to wrap up week two. The next week brought back more Festival favorites, including Anthony Marwood performing Schubert’s Quintet in A Major, D. 667 (Trout) and Stravinsky’s The Soldier’s Tale. Mark and Maggie O’Connor also returned to play a selection of Mark’s own compositions alongside the Skaneateles Festival Orchestra. The fiddle duo also performed at a special intimate musical event at the Mandana Barn. The final week brought the Jasper String Quartet performing Moonstrike by Chickasaw composer Jerod Impichchaachaaha’ Tate. Ending the season with a spectacular finale was the Bill Charlap Trio, performing classic tunes from The Great American Songbook.