Upon arriving in the United States in 1994, Colombian-born Edmar Castañeda made a name for himself as the preeminent jazz harp virtuoso. Castañeda brings forth a brilliance that beautifully merges the jazz tradition with a diverse set of styles and genres while bringing unbridled attention to a somewhat unfamiliar instrument: the harp. He was ushered into the jazz community by Paquito D’Rivera, who recognized Castañeda’s passion and took the young harpist under his wing. Castañeda has cemented the harp’s place in jazz with innovative technique and heartfelt creativity from a wealth of formidable collaborations with music titans such as Wynton Marsalis, Bela Fleck, John Scofield, Ricki Lee Jones, Hiromi, Pedrito Martinez, Marcus Miller, Gonzalo Rubalcaba, Ivan Lins, The Yellowjackets, and Paco De Lucia.

In the same breath as the Yo-Yo Ma’s of the world, Castañeda fearlessly stuns audiences, musicians, and critics alike with his incredible talents as a player and composer. NPR’s “Fresh Air” touts, “…his technique is the real astonishment. Castañeda juggles lead, rhythm and bass lines, using a variety of hard and soft string attacks to keep those voices distinct — all without giving up the groove…His amazing technique…raises the bar for every harpist.” The New York Times notes, “…Castaneda… engage[s] modern jazz in ways that honor…cultural origins, and [he has] the capacity to astonish by virtue of [his] fingerstyle technique.” Moses Sumney highlights his “5 Favorite NPR “Tiny Desk Concerts” and says, “My brain cracked open when I first saw this. Some classical instruments are so ingrained in our heads for sounding one way; Edmar restructures what we know of harp, defiantly expanding the bounds of the instrument.”

Castañeda follows up seven acclaimed albums with his latest recording project, Viento Sur, with a nine-person ensemble of acclaimed global musicians from Switzerland, Brazil, Cuba, Israel, Chile, USA, Argentina, and Colombia. An array of compositions on Viento Sur are commissioned by American Chamber Music from the “New Jazz Works Grant.”

Castañeda’s renowned albums as a bandleader are interchanged with awe-inspiring symphonic and big-band works with Wynton Marsalis Jazz at Lincoln Center Orchestra, Clássica de Espinho and the São Paulo Jazz Symphony Orchestra, as well as chamber pieces for the Israel Camerata Jerusalem and the Orquestra Sinfónica Nacional de Colombia.